Space appear in the painting.
2010-3-19 23:22:59 Post:long | Categories:doupine | Comment:0 | Quote:0 | Browse:
Generally speaking, in the oil painting in the background and the background image in front of the concrete there is a certain space, so the background in general should be handled more virtual, the color purity of reducing these. At other times, to portray those who need to focus around a specific image of the background, appropriate to stay part of the blank, there will be more satisfactory results. That is, not completely painted the color of the background to the more important near the screen's image around, abruptly put on hold. This kind of invisible-shaped lining visible, the color to colorless and colored lining, often better able to bring out the concrete in front of the image, but to make it more clearly highlight the more vivid clarity. A blank portion of the writing style, as in many works of contemporary painters is not uncommon, the Russian painter Mo Scheyen Section works in accordance with the regular use of this method, so that the image is more sharp and clear. In his masterpiece "Sweet Cherry" in the use of a particularly skillful. And the background of this "not the words" are often even more comfortable, more thought-provoking. From the screen space is concerned, such an approach as an artistic language, and did not affect the picture a sense of three-dimensional space. Only in slightly subjective approach to performance in the subjective and the objective to achieve uniformity.
When the gap appears as a block, they become a full picture of the constituent elements in the form of beauty, when the "empty", "white" with a specific image, together constitute the picture is the screen in the form of specific language indispensable, plays an important role in part of it. Can also be said, when "empty" is have their own specific image of "white." Therefore, it is no longer just simply exists as a background, it is no longer just simply from a foil, contrast effect. Instead, it has become independent of other specific image exists, but also with other image of the formation of a certain relationship and a certain effect with each other and thus constitute the whole picture. In terms of its image, it can affect the screen image of the other specific shape, but also can be affected by other image of the shape. Its color is concerned, at this time of the "white" also is no longer pure white, it is because of the surrounding colors vary, and without which changes the status quo. From the screen space is concerned, constitute elements of a blank screen appeared as a strengthened form of aesthetic images, from a certain extent, weakened the traditional oil painting in the three-dimensional visual illusion, the screen space rose to color space, art space, that is the artist's ideas space. Contemporary oil paintings are increasingly seeking a nearly planar art space, it is not the same as before imitating nature, in the two-dimensional images to create three-dimensional illusion, but the screen itself is a spiritual space, the screen by the image, color, area constitutes a whole, but each part also plays a unique role, it is no longer rigidly adhere to the three-dimensional imitation of nature, but more emphasis on aesthetics and spirit of the concept of artist expression. Given the current art of Chinese culture and artistic expression are increasingly interested in, from modernism, post-modernism began, many of the world artists have begun to pay attention to absorb the spirit of Chinese culture, learn Chinese art forms, painting and graphic sex, spiritual sex imagery is increasingly strong. Chinese Oil Painters of course, ought to pass their own traditional culture and art concepts, and continue to explore, innovate, be carried forward. Mr. Wu Guanzhong's large oil paintings depicting the Jiangnan Water Village, black tiles and white walls to explore a new path. Constitute the use of a blank screen forms an important part of the language, and the mood of beautiful, thought-provoking.
To sum up, no matter what the screen blank form, it is both the screen plays a very important role.
First, the blank to produce a concise United States, it makes the main image of the more prominent, as well as Jane Fan lining, contrast more intense.
Second, the gap could create a ethereal mood of the United States, silence speaks for the invisible visible wins. It is better to stimulate the viewer's imagination, to its broader spirit of the swimming space.
Third, a blank canvas showing a better texture, thereby creating a unique texture painting the United States. Blank canvas texture and the screen image of the shape of the brush strokes to form images of different texture effects, to fully develop their unique texture oil painting the United States.
Fourth, the blank is not colorless, it is a more simple, more natural color, the color of this colorless and easily form a harmonious unity with the surrounding color relationships.
This shows that the screen space is very demanding. "Empty" "white" in their own universe. We should carefully study the non-screen space of the "empty", to explore all possible, apply to the oil painting practice.
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Michelangelo oil paintings in the first exhibition in China into Italian Pavilion greatest treasures
