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A new chapter in the arts
2009-12-25 19:41:22 Post:long | Categories:doupine | Comment:0 | Quote:0 | Browse:

Review of Inner Mongolia has gone through 60 years of oil painting mileage has vivid. This is the result of the efforts of several generations and generations to create results. Back in the early stages of the establishment of the autonomous region, the older generation of oil painters, has already begun working diligently on this piece of land, after 10 years of efforts, these paintings initial pioneer community has been painting for the development of Inner Mongolia has laid a good foundation, create a group of reflect the new life of good works grassland. This is the middle, not only official cloth, Wang pro, Biella, oljit and other old generation of minority artists, as well as Lubin, Wang Yuquan, gold high, Gotti, Xu Jian, Liu days was a painter and other local or foreign, are is that they come together to create the brilliant original oil painting of Inner Mongolia. 


    


    


    


    
"Oil Painters of Inner Mongolia Youth Nomination Exhibition" Most of the participating artists were born in the seventies and eighties, is in the creation of performance and maturity of age. In their works, we can feel a new generation of artists to life, the nature of their different understandings and performance art in the sense that they made various attempts and exploration. This exhibition is both a new review, but also a new beginning. I had 10 years ago, wrote an article entitled "Beyond the history and the history of beyond," the article, this paper proposes the question: For Inner Mongolia, oil painting, wood properly Sri Lanka is already a "beyond history" of this " go beyond history ", can no longer be a" beyond history "? For today's new generation of oil companies, the question should be: the face of wood properly nineties Adams and his students together to create a generation of "proper wooden Si era" of this "beyond history", can no longer be a " of history beyond "? As individuals, you can not add to their own body in such a historic mission, but as a painting group, but it is thought can not be a problem. Fortunately, there has been a good start, has already opened a new chapter in this vibrant new chapter, also contains a new hope for the older generation, including the government departments, communities and socio-economic forces support the .

However, these young people's works, I still see that as the region's artists, they hold on to the basic norms and has not changed. Inner Mongolia's unique natural environment, whether it is the vast wilderness, or the towering mountains; whether it is green Yan Yan, or the snow-capped, for those relying on the colorful painter, without exception, are all their visual feast. From a historical point of view, the basic way of life with the Mongolian nomadic peoples, Hengdao Koshiba, can levy Thrace, the most oriental masculinity. Have created a brilliant performance to become the ancestors of Genghis Khan Mongolian peoples forever a symbol of pride and spirit. This heroic spirit of nourishing the lives of generation after generation, so that they have a bad in any of the natural environment and social environment to survive the courage and ability. It is also in Inner Mongolia, a painter of such a "natural mother" and "mother culture" of the nourishment to grow and mature, they can not fail to cherish this natural growth appropriate to their homes, this home is also a check was not done best art source, in order to achieve their artistic vision to provide everything they need. 
In the new century, the new younger generation of artists they grow and mature. Active in the nineties of the oil painters, many students everywhere has become a mentor generation, influenced a whole generation of people have also been moved to Sri Lanka due wooden capital. Inner Mongolia in the new century painting, If a fashion statement, it may be called the "era of Sri Lanka after the wood properly." When I had this fellow in Inner Mongolia for many years, looking at all these strange works that young people can not help lamenting the years hurry, I really can be called The waves pushed forward waves, new generation is replacing the old one. 
The early 60s of last century, in the Central Academy of Fine Arts to study properly for many years with a superb wooden craft Sri Lanka returned home to become the development of Inner Mongolia, painting a new impetus. He is not only a profound impact on the young generation painting students, but also peri to a generation older than he. Sri Lanka's oil paintings wood properly, greatly enhanced the rank of Inner Mongolia oil painting, so that the development of painting in Inner Mongolia has entered a new stage. Especially in the "Cultural Revolution" after 20 years, Sri Lanka in the proper wood under the influence and cultivate a new generation of (mostly his student peers) will soon rise, Yanjie, Ye Fu, malian, Wuhou Bin, Wang Yanqing, Gilg leng, alluvial gold, Zhou, Ao En, Li Hua-jun, Miao Jing-chang, etc., oil paintings of this period have become the backbone of the group home. As a leader and well wood Adams I because of its successful hosting of a show, not only in this area, but also in the broad national implications. His success and encouraged the continued development of oil painting in Inner Mongolia, in the previous show in the national, Inner Mongolia, oil painters, as a group have a good performance. If you will come away the oil companies, such as Chao Ge, Fei-yun, Su Xinping (doubles as a print), Hanjin Bao, Zhang Ping, Wen-Hua Zhao, Qi Meng-guang, LIU Yonggang, Zhao Jie, and so long are taken into account, Inner Mongolia, painting will be a more powerful lineup
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