The language of painting color
2008-8-26 20:51:4 Post:long | Categories:doupine | Comment:1 | Quote:0 | Browse:
Through the development of oil painting, we can see colors of the United States is constantly developing and creating the.
Oil paintings thick stack of features and highly malleable is not comparable to other kinds of oil painting, it's this perception of the oil painting in the produce to people's thinking and emotional resonance with the rhythm and intensity. Yunbi in the role, shaping not only completed the task of modeling, but also to screen the effect of fabric have a direct impact. Rembrandt, Rubens are good at master and control the texture, fabric because the artists directly convey the psychological feelings, affecting the work of the intensity of infection. Texture of the so-called reasonable performance targets to include not only the fabric and texture of Mofang reproduction, but also on screen describing the overall mood of the performance. In traditional realist oil paintings, the texture is equal to the texture of reproduction tasks, the targets of the rough texture and delicate sense of texture are available corresponding to imitate, but this is a very passive, and that the real beauty of the fabric of those To express the rhythm of the screen and the artist's feelings, with a high degree of harmonious order of the fabric. This texture is often beyond the limitations of texture and spirit of the gas will permeate the whole picture and guests in the hearts and become like a vacuum in the colors of the United States. In this sense, it is abstract. However, in the traditional oil painting in its turn, attached to the subject of realism, ascending from the integration in the overall atmosphere.