Romanticism
(1790-1850)
Beginning with the late -18th to the mid -19th century, new Romantic attitude begun to characterize culture and many art works in Western civilization. It started as an artistic and intellectual movement that emphasized a revulsion against established values (social order and religion). Romanticism exalted individualism, subjectivism, irrationalism, imagination, emotions and nature - emotion over reason and senses over intellect. Since they were in revolt against the orders, they favored the revival of potentially unlimited number of styles (anything that aroused them).
Romantic artists were fascinated by the nature, the genius, their passions and inner struggles, their moods, mental potentials, the heroes. They investigated human nature and personality, the folk culture, the national and ethnic origins, the medieval era, the exotic, the remote, the mysterious, the occult, the diseased, and even satanic. Romantic artist had a role of an ultimate egoistic creator, with the spirit above strict formal rules and traditional procedures. He had imagination as a gateway to transcendent experience and spiritual truth.
The German poets and critics August Wilhelm and Friedrich Schlegel first used the term ''''Romanticism'''' to label a wider cultural movement. For the Schlegel brothers, it was a product of Christianity. The culture of the Middle Ages created a Romantic sensibility which differed from the Classical. Christian culture dealt with a struggle between the heavenly perfection and the human experience of inadequacy and guilt. This sense of struggle, and ever-present dark forces was allegedly present in Medieval culture.
While this view partly explains Romantic fascination with the Middle Ages, the actual causes of the Romantic movement itself correspond to the sense of rapid, dynamic social change that culminated in the French Revolution and the Napoleonic era.